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کاربرد نوع شرط:
- جایگاه : پژوهشی
- مجله: منظر
- نوع مقاله: Journal Article
- کلمات کلیدی: باغ,ایوان,شاهنامۀ فردوسی,کاخ,گلشن,آب روان
- چکیده: در بسیاری از داستانهای شاهنامه فردوسی از باغ،کاخ، شهر، ایوان و شارسان یاد شده که سیمای نخستین آنها در گذر زمان و دوران چندهزارساله دگرگونیهایی را پذیرفته است. این عناصر از محتوا و مفهوم نخستین خود به دلایل و عواملی که پرداختن به آن در مجال این گفتار نیست فاصله گرفته یا با حفظ پارهای از جزئیات معنای عملکردی و مفهومی آن رنگ باخته، ولی هنوز نشانههایی از جلوههای نخستین آن برجاست. به مدد پارهای از گزارشات در تاریخ باستان و ادبیات ایرانی میتوان چهرهای از مفهوم شهر یا باغ را در ایران در دوران آغازین پیدایش آن در ذهن ترسیم کرد. در این جستار با اشارهای به چند گواه از این دست برای روشنکردن بهر کوچکی از آن پرداخته میشود. یکی از منابع اصیل ایرانی که میتوان از آن به پیدایش باغ و چهره نخستین یا نزدیک به آن دست پیدا کرد، گفتارهای حکیم فردوسی در شاهنامه اوست. هرچند در این نامۀ نامور پارهای از رویدادها با جزئیات تمام گفته شده و خواننده خود را میان کارزار میبیند، در بسیاری از جایها دوران درازی را کوتاه و یا در پوششی نهان داشته که بر پژوهندگان است، آن را از نهفت بیرون آورند و آشکار سازند. چه بسا گفتار فرزانۀ توس روشن است و سینۀ سینا میخواهد.
- چکیده انگلیسی: In many stories of Shahnameh, a garden and a porch of the palace and the city is mostly mentioned which have undergone multiple changes in their shape during thousand years of time. They have also distanced from their premier content and meanings due to multiple causes and factors that are not in the scope of this article, or they have maintained some details while functional and conceptual meanings have been faded. However, the signs of their early effects have still remained owing to some reports of Iran ancient history and Iranian literature that can reveal a perceivable face of the city or the garden in Iran in their early years of emersion. In this essay with a reference to some proves of this kind, the issue will be clarified. One of the original Iranian resources in which the premier shape of garden can be perceived is the words anecdote in Ferdowsi’s Shahnameh. Although a part of event with all the details are mentioned in this writing and the reader ultimately finds himself within the battlefield, many times a long period of time has been concealed and the scholars have to reveal their mysteries since Ferdowsi is clear in uttering. Having scrutinized the Shahnameh, it is obvious that a barrier could keep other buildings such as gardens safe from enemies. It is a type of wall that surrounded gardens and today it is considered one of garden elements and one of city elements earlier. In the two stories of Gang Dej and Siavash Gard, considering Ferdowsi’s narrations, it is clear that these two places which have been constructed by Siavash were gardens where water flowed and other buildings such as bathroom, palace and quarters and squares were included in this castle. It was named a garden city due to prevailing garden features in the city. Moreover, through the descriptions of Ferdowsi, mentioned urban are elements of Persian gardens which refer to and gardening style. All the evidences indicate that the city can be described as the equivalent of Garden City or Persian Garden in the Shahnameh.
- انتشار مقاله: 30-06-1393
- نویسندگان: احمد علی فرزین,احمد علی فرزین,احمد علی فرزین
- مشاهده
- جایگاه : پژوهشی
- مجله: هویت شهر
- نوع مقاله: Journal Article
- کلمات کلیدی: منظر,منظر فرهنگی,منظر آیینی,عینیت,ذهنیت
- چکیده: منظر پدیدهای عینی-ذهنی است که در پی فهم انسان از محیط شکل گرفته و در بستر تاریخ و زمان اشکال مختلف به خود میگیرد. در این میان گاه منظر با مفاهیم هویت بخشی همچون فرهنگ و آیین عجین شده و جلوههای عینی و ذهنی ویژهای را با توجه به موقعیت-های مکانی خاص، بوجود آورده است. از این رو این مقاله سعی دارد تا با واکاوی مفاهیم منظر و آیین و بازشناسی مفهوم منظر آیینی، جلوههای ظهور آن در ایران را شناسایی نماید. روش تحقیق این مقاله، از نوع کیفی است و ترکیبی از روش تحقیق تحلیلی-توصیفی و استنادی بکار برده شده است. بر این اساس با استفاده از روش کتابخانهای و بهرهگیری از منابع معتبر نوشتاری، طیف گستردهای از منابع مرتبط با منظر و آیین مطالعه گردید و با بررسی تطبیقی، به شیوه استنباطی و استنتاجی به تحلیل مصادیق ارائه شده از منظر آیینی و وجوه آن پرداخته شده است.
- چکیده انگلیسی: The landscape is an objective-minded phenomenon that is shaped by the human understanding of the environment and takes on different forms in the context of history and time. In the meantime, the paradigm has been created with concepts of identity, such as culture and religion, and created a specific objective and mental effects with respect to particular spatial situations. The core of the cultural landscape is seen by three elements of the environment, time, and man. The two-way relationship between each of these factors leads to the creation of a new element. Human beings reminisce over time and shape history. A factor that has been one of the main cornerstones of culture in human life and human history (requiring space to remain in time).The presence of human beings in the environment and its experience will lead to the formation of space, a place where human presence is meaningful, and the agent that creates the dimension of memory and creation of the mind in the landscape.Rites are a symbolic social show that appears under certain conditions in the community, and it is up to the people of the community to act in that particular way. Rites in all human societies are sacred acts That members of the community feel committed and committed to doing so. The ritualistic aspect is part of a cultural perspective that reflects the customs, ceremonies, religions and religious rituals. Ceremonies such as the Nowruz ceremony in Iran, the celebration of cherry blossoms in Japan, the celebration of watering in Thailand, cheesecloth in the UK, and many others are nature-shaped ceremonies, rooted in respect for natural elements. The ritualistic view as a subset of the perspective and as an important part of the cultural landscape is considered to be the reaction of society to its spiritual needs.The ritualistic view as a subset of the landscape and culture has the same characteristics of both. According to the definitions given in the ritual section, the ritualistic aspect is initially formed in the context of nature; Because nature, the bed and the creator of the elements constitute the ritual. Nature is the context in which man and history are formed, and their interaction with nature leads to the creation of culture and religion. Perhaps the strongest link in the nature and customs of the people can be found in ritual and sacred centers. From the past, living near human nature has been very important to humans Therefore, this paper tries to identify the effects of its appearance in Iran by examining the concepts of the landscape and the ritual and the recognition of the ritualistic concept. The research methodology of this paper is of a qualitative type and combines an analytical-descriptive and citation research method.Based on this, using a library method and using authoritative sources, a wide range of sources related to the landscape and religion was studied. By comparative study, inferential and inference method was used to analyze the cases presented in the ritualistic viewpoint And its aspects have been addressed.
- انتشار مقاله: 11-10-1348
- نویسندگان: ریحانه خرم رویی,امین ماهان,احمد علی فرزین
- مشاهده